
Sebastiao Salgado is one of my favourite photographers. I don't know his age but I know he's still alive and still shooting magnificent photographs to this day. He is a Brazilian photographer and some would say he is a photojournalist although I don't know if he's actually done any definate journalistic work in his career. He is however a documentary photographer in the sense that he documents specific visual themes and this makes his work very interesting.
His photography is not your bog standard photography that you could see on facebook. It is not even the type you'd see in a local newspaper or magazine tabloid. Salgado's work is much more than that because it contains controversial content.
I sit here with a Thames & Hudson Photofile book about Sebastiao Salgado and I sift through the content looking at the photography and its greatness. All the photos in the book are black and white. I am unsure what medium he is using now whether digital or film, but I know he used film for taking the photos I am familiar with. The introduction of the book does Salgado justice as it is written by Christian Caujolle.
Some of the photos are taken in Brazil, others in Mexico, Indonesia, India, USA , Great Britain, Bangladesh, Cuba, Rwanda, Ukraine, France, Azerbaijan, Kuwait, Cambodia, Thailand, Mali, Ethiopia, Sudan, Ecuador and Bolivia. That's a lot of different places in one collection of photographs by a single photographer. Global awareness is shared throughout the book.
It shows humans in all kinds of conditions, and only by an innocent press of the shutter Salgado has captured these conditions in order to share and exploit the state of the world. Some of his subjects are seemingly oblivious to his presence as though he turned up with a camera to do the will of God.
Some of his images have slight religious implications like the photograph of Serra Pelada goldmine, Brazil, 1986. There are men labouring, working in the picture and one of them is leaning against a post reminiscent of the cross that jesus died on. It is as though there is a Christian connotation fed throughout the situation that he photographed. A certain aura.
Other images with this quality may include the ones involving death, there is one at a burial ground or cemetary, another with a statue of the Christ where a woman lies in grief. There are also truthful photographs that show things we may never have experienced before. Men on makeshift operating tables and the smile of a child working at a Tea Plantation in Rwanda which signifies the depression of other countries.
The reason I like Sebastiao Salgado' photography is because of the content being so truthful and also of high aesthetic stature. The composition and lighting in his photographs is near immaculate and would only take a serious critic to find something wrong. I also find that Salgado makes his photographs from a humble position, he shares the fact that he is also human towards his subjects and communicates the problems of humanity through his photographs.
If anyone adds more value to photography as a medium, Salgado does exactly that. His images are powerful and truthful. He is passionate about his subjects and this improves the state of photography to be sure that it will always be a useful tool in sharing ideas, values and information.
For more information about Sebastiao Salgado either do a Google search or read about him on Wikipedia. He is also listed on the MastersofPhotography website.



